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Even Stevens Ray Stevens

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SIDE THE MINORITY 3:42. FUNNY MAN 3:01. FOR HE'S A JOLLY GOOD FELLOW 2:47. *SAY CHEESE 2:29 ONE MR. BUSINESSMAN 3:19 dry - Merry S Her was a Ray Stevens that had the Exp sides of his tylings Roy Seven the se the winding on the market and down the wary thing and I de One dar came up was Keep Out Of Reach Of decid deland hand relax of Dewed. pred Ray Stevens is Come was the sixpack the wild We doed by noon, that collaboration es melody ng the EVEN STEVENS RAY STEVENS hopeles between two people with much postive oplatons Keep Out Of Reach Of Children never materialed Bat the experience of arguing about manos conduct, fears, and hopes fresh creative attitude A week or so lanes Ray had written Busi wman Shortly thereafter, he had written The Minty. He found himself composing of his beliefs. The clown of the Ahab the Arab hadn't disappeared he had mely removed the greasepaint. Business Lonely Together sull Ar mat comedic wit, but it podly strive to live in a dis hach gives them a broad view of make their ce and unique. I have long to be artistic be imprecise Rather than * pench far away from the substance of that which he writes about Ray Stevens hat SIDE ISN'T IT LONELY TOGETHER 3:14 **FACE TH MUSIC 2:25 - †THE EARL OF STILTON SQUARE 35 TWO- UNWIND 3:10 chosen to live immediately within it. Which is to me, the hard way to be an artist Ray Stevens, like John Updike, writes about the Middle Class. He is the only effective com- I know of who does so with a stem pen but with love because he lives there. He lives in a very nice suburb. He cares about his yard and his wife and his children. Real estate people. Insurance people hanken respect him for his thoughness. He is thrifty though be wally He plays a satisfac- get checked when tory game of poll His the warranties say they should get checked He even has his martinis But within this Middle Class Man is the artistic urge to express himself and has clase Ray Stevens has all the talent, intellectual and technical equipment necessary to do a better than anyone else For example he wrote both words and music to all but one of the songs in the album. He arranged and conducted all but of the songs in this album. He produced with J Malloy and Fred Poster all the songs in this album. All the keyboard work you hear is Ray Stevens THE GREAT ESCAPE 3:03 All the voices you hear are Ray Stevens To my knowledge, never has more pai taking labor gone into a Nashville-record album. Ray hansell has put more than 2 hours into its creation. He worked like a sc tor. First, the bass drums, guitar, and pi were recorded. He studied this track inten for days carefully arranging his orches tion. The orchestration having been recou to other tracks, he studied these ress minutely balancing one instrumental sec against the other, always mindful of what desired in the end. Then, after even w study he took this material back intor radio and applied delicate, finishing tou such as glockenspiel and harp clacks He then remixed each track The last performing effort was Inging The last sculptural effort was a all the elements. I think EVEN STEVENS is a pe rounding aside from the splendid an And I think Ray Stevens-a bag unte the two or three greatest the world TUPPER SA cal arti PRODUCERS FRED FOSTER AND RAY STEVENS is arry STERED SLP18102 ITTEN BY BOB TUBENT AND AAY TEN ARRANGED AND CONCE Karton 114

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