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Reinterprteting the Past. Traditionalist Artistic Trends in Central and Eastern Europe of the 1920a and 1930s
red. Irena Kossowska
Instytut Sztuki Polskiej Akademii Nauk
Warszawa 2010
ISBN: 83-89101-96-3
liczba stron: 364
oprawa miękka
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Introduction: Reframing Tradition — Art in Central and Eastern Europe between the Two World Wars, by Irena Kossowska
I. European Cross-Currents
Emily Frances Braun, The Modernity of Tradition: The Fine Arts in Fascist Italy 1919-1929
Olaf Peters, New Objectivity Painting and the Weimar Republic's Modernity Crisis
Anna Wierzbicka, Appels d'Italie: Waldemar George's Texts on Art Dating from the Early Nineteen-Thirties
II. Traditionalist Paradigms
Stella Pelge, Ethnography, Neo-Classicism and International Context: Latvian Traditionalist Thinking on the Art of the 1930s .
Giedre Jankevieiate, From Paris to Kaunas: Neo-Traditionalism in Lithuanian Art of the 1930s
Ivanka Reberski, The Traditional and the New in the Realisms of Croatian Painting in the 1920s and 1930s
III. Classicising Sensitivities
Anna Pravdovci, Otakar Kubin and the Tendencies Towards Classicism in Czech Art of the 1920s and 1930s
Vita Susak, The Classical Tradition in the Ukrainian Art of the 1920s-1930s
Katarzyna Nowakowska-Sito, Polonia-Italia: Artistic Relations and the Reception of Contemporary Italian Art in Poland 1918-1939.
IV. Ideological Involvement, Sociopolitical Commitments
Agnieszka Chmielewska, Realism as a Solution to the Problems of Modernity
Irena Kossowska, Evoking the Greatness of Poland: Propaganda Art in Warsaw of the 1930s
Jolita Mulevieirite, The Programme of the Journal Naujoji Romuva and its Impact upon Lithuanian Art
V. National Idiosyncrasies
Erwin Kessler, Shaping the Hero: Nationally Specific Art in Inter-War Romania
Eduards Klaving, Between Engaged Public Monuments and Intimate Formalism: Latvian Neo-Realism in the 1920s and 1930s
Andrzej Szczerski, Photography and Traditionalism: Jan Bulhak and the School of Polish Homeland Photography (Polska Fotografia Ojczysta)
VI. Propagandist Goals, Monumental Framings
Urszula Kozakowska-Zaucha, Parliamentarian Problems: Competition for Paintings to Decorate the Polish Parliament in Warsaw
Dariusz Konstantynow, The Decoration of the Main Railway Station in Warsaw: On the Relationships between Architecture, Painting and Sculpture in Polish Art in the 1930s
VII. The Rhetorical Power of Architecture
Mickel Wigniewski, The Role of Monument Preservation in the Emergence of the Cracow School in the Polish Inter-War Architecture
Filip Burno, 'Are We Not Able to Create a New Monumentalism?' Polish Sacral Architecture c. 1929-1939
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