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Hope Is of a Different Color. From the Global South to the Łódź Film School
red. Magda Lipska, Monika Talarczyk
Wydawnictwo Państwowej Wyższej Szkoły Filmowej, Telewizyjnej i Teatralnej
Warszawa 2021
ISBN: 978-83-64177-87-3
liczba stron: 378
oprawa miękka
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Spis treści
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MAGDA LIPSKA, MONIKA TALARCZYK
Introduction: From International Solidarity to a New Color Curtain
I.
Students from the Global Souft at the Łódź Film School, 1948-89:
Biographies
Extant List, Enrolled Students
Selected Film Stills
II.
CONSTANTIN KATSAKIORIS
Effective Solidarity with the Postcolonial World: Cold-War Educational Assistance from the Socialist
Countries
MATTHIEU CILLABERT
Students of Color and State Socialism: Can Doable Exoticism Be Endured in Public Space?
MONIKA BOBAKO
The Jew, the Arab, the Pole: March 1968 in Poland and the History of an Alliance Between the Second and Third Worlds
BEATA KOWALSKA, INGA HAJDAROWICZ
Unwanted Legacy, as Told by Its Witnesses: Arab Students in People's Poland
BOLAJI BALOGUN
Cold War Internationalism: The Myth of Race-Blind Eastern Europe
BARTOSZ NOWICKI
Representing Africans in The Polish Review: A Projection of the PRL as Racism-Free
III.
GABRIELLE CHOMENTOWSKI
The Training of Third-World Filmmakers in Eastern Bloc Schools before 1991
MONIKA TALARCZYK
WE WANT THE SUN! Short Films by Łódź Students from the Global South, Compared with Models from Polish Art Cinema
KATARZYNA MĄKA-MALATYŃSKA
The Familiar, the Strange: Works by Students from the Global South in the Context of the Polish School of Documentary Film
MARIE PIERRE-BOUTHIER
Podróż to Poland: In Search of a Potential Moroccan Cinema
OLIVIER HADOUCHI
Voices and Faces from the Third World
RACHAEL DIANG'A
Sao Gamba's Creative Legacy in Kenya
IV.
JAKUB BARUA
"The Documentary Film in Eastern Africa: Sao Gamba's Secret Legacy" (2009)
JOHN ALEX MAINA KARANJA
"The Cinema and I (A Black Filmmaker)" (July 1986)
LEA MORIN
Lesson 41: Going to Poland to Become a Moroccan Filmmaker
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Filmography: Student Shorts
Index
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